Johann Strauss II - Tausend und Eine Nacht - Walzer, op. Before eventually reaching the stage on 1. February 1. 87. 1 as Indigo und die vierzig R. The Morgen- Post (4. Tausend und eine Nacht was also the evocative title Johann Strauss gave to the splendid orchestral waltz he arranged from melodies in his first- born operetta. Custom Search (please put in the classical composer's name, for example ' johann strauss' - or the title of the composition, for example 'Donau Walzer').The composer had intended to unveil the waltz as his dedication dance for the ball of the powerful Vienna Authors' and Journalists' Association, 'Concordia', to be held in the Sofienbad- Saal on 7 February 1. When the date set for the premiere of Indigo was postponed until 1. February, however, he found himself in the embarrassing position of having promised the waltz to the 'Concordia', yet wishing to avoid pre- empting the premi. In the event, believing that he depended upon the goodwill of the journalists, he presented the Association with his Tausendundeine Nacht- Polka - based on themes from the operetta - which he personally conducted at their ball, and which was later published under the amended title: Shawl- Polka fran. It was therefore left to Eduard Strauss to perform the premi. The programme of music also included the Indigo Overture and the Indigo- Quadrille op.
Reviewing the first night of Indigo und die vierzig R. But if all these charms do not avail, the magician has one last remedy that never fails - he has his waltz! It is his 'Pied Piper of Hamelin'; there is nothing for it - everyone has to join in. Strauss has proved his magic powers in that Trio of the first Act which culminates in a waltz. It is a Viennese waltz of truly elemental power, born not very far from Lerchenfeld . Another eyewitness, the journalist Josef Wimmer, praised the same vocal waltz: . One almost believed that Strauss would tear the violin from the hands of the first violinist and strike up the dance as in the days of old at the 'Sperl' and the 'Zeisig', at 'Dommayers' and 'Unger', and at the 'Straussl' and 'Schwenders. Little wonder, therefore, that Strauss should have awarded pride of place to the melody of . Waltz 2 comprises material exclusively from the waltz section in the Act 2 (No. Waltz 3. A also owes its origins to the Act 2 Bacchanal, to the second waltz tune . Alibaba, the donkey- driver, and chorus. Tausend und eine Nacht - Wikipedia. Tausend und eine Nacht (Thousand and One Nights), Op. Johann Strauss II in 1. Tausend und eine Nacht, Walzer Op.346 Songtext von Johann Strauss II mit Lyrics, deutscher The waltz's melodies were drawn from his first- ever operetta. Indigo und die vierzig R. It was his first attempt at ensuring that the more memorable melodies from the stage works would survive obscurity by finding new life as a new orchestral work, a practice which he would faithfully retain in future stage works. Such a move would also benefit sheet music publishers who can sell the piano editions of the new works to the public who can readily identify individual music pieces. Nonetheless, the charming waltz was to incorporate the more popular numbers from the operetta itself, with the melody Ja, so singt man comprising the entire infectious first waltz section. The graceful second section was contributed from the Act 2 Bacchanal Lasst frei nun erschallen das Lied aus der Brust. The waltz's dreamy introduction is played by a sonorous clarinet evoking a distinctive Arabian feel. The first waltz section is robust and energetic, with a Trio section of comparatively less- rigorous section. The famous second waltz section is a swirling waltz passage in C major, with a high- spirited fashion. The third waltz section is considerably gentler, with a fierce but exciting Coda or tail- piece. The first waltz theme makes a hesitant entry again, accelerating into its breathless and brilliant conclusion, with repeated chords, with a strong drumroll and brass flourish. Operettas. Waltzes. Sinngedichte, Op. Gunstwerber, Op. 1. Klange aus der Walachei, Op. Frohsinns- Spenden, Op. Rhadamantus- Kl. 1. Liebeslieder, Op. Novellen, Op. 1. 46 (1. Nachtfalter, Op. 1. Glossen, Op. 1. 63 (1. Man lebt nur einmal!, Op. Abschieds- Rufe, Op. Abschied von St. 2. Hell und voll, Op. Promotionen, Op. 2. Accelerationen, Op. Immer heiterer, Op. Grillenbanner, Op. Klangfiguren, Op. Dividenden, Op. 2. Karnevalsbotschafter, Op. Leitartikel, Op. 2. Studentenlust, Op. Aus den Bergen, Op. Flugschriften, Op. Wiener Bonbons, Op. Die Publicisten, Op. G'schichten aus dem Wienerwald, Op. Illustrationen, Op. Wein, Weib und Gesang, Op. Freuet Euch des Lebens, Op. Neu Wien, Op. 3. 42 (1. Tausend und eine Nacht, Op. Wiener Blut (waltz), Op. Carnevalsbilder, Op. Bei uns Z'haus, Op. Wo die Zitronen bl. Du und du, Op. 3. Cagliostro- Walzer, Op. Rosen aus dem S. 3. Nordseebilder, Op. Kuss- Walzer, Op. Lagunen- Walzer, Op. Schatz- Walzer, Op. Wiener Frauen, Op. Donauweibchen, Op. Kaiser- Jubil. 4. Kaiser- Walzer, Op. Rathausball- T. 4. Gross- Wien, Op. 4. Seid umschlungen, Millionen!, Op. Trau, schau, wem!, Op. Farewell to America. Polkas. Herzenslust, Op. Explosions- Polka, Op. Tritsch- Tratsch- Polka, Op. Demolirer, Op. 2. S gibt nur a Kaiserstadt, 's gibt nur a Wien!, Op. Lob der Frauen, Op. Postillon D'Amour, Op. Leichtes Blut, Op. Figaro- Polka, Op. Ein Herz, ein Sinn!, Op. Im Krapfenwald'l, Op. Die Bajadere, Op. Vom Donaustrande, Op. Auf der Jagd, Op. Banditen- Galopp, Op. Waldine, Op. 3. 85 (1. Neue Pizzicato Polka, Op. Marches. Quadrille. Other. Family. In media.
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